The page collects videos serving as an extension of the crvx. archive.
All videos and clips are uploaded to YouTube and can be publicly accessed there too.
See the list below for all entries in chronological order.
crvx. movie VII (2021)
Vinyl Fest / 5 Jaar Morbus Gravis Music Space w/ concerts
A short documentary about the festivities of 5 Jaar Morbus Gravis Music Space in Antwerp.
Embedded in a vinyl fest at 14th November 2021 at Plein Magazijn, Monger presents five artists closely associated with Morbus Gravis: Oubys, Bjorn Eriksson, Sjoerd Bruil & Nicolas Rombouts, Eric von Stroheim, Philippe van Wolputte, 9 En ½ and Thorsten Soltau.
crvx. movie I (2021)
Diligence And Tendency
A short documentary about Thorsten Soltau, narrated by himself. Here he talks about the origins of his interest in electronic music, the development of his compositions and the importance of small studio spaces.
The movie features several original compositions from archive and unreleased cues of recent works.
crvx. movie VI (2021)
Graphite (For 0-CTRL, MATHS, Filter Bank & Morphagene)
Fifth improvisation in a serie of ten.
›The 0-CTRL triggers two pulses of MATHS in parallel. The combined signal of these pulses is routed to the filter bank and re-inserted in the modular system. The return channel is first fed into the spring reverb and routed to the Morphagene for some faint granular additions.
The whole changes in pulse speed/density and effects is derived from the envelope curve of the two pulse signals converted into audio. The whole composition generates itself mainly autonomous.‹
crvx. movie V (2021)
Kleine Etude (For Pulses, Spring Reverb & Gates)
Fourth improvisation in a serie of ten.
›One single pulse is modulated in speed and density by a sequencer. The pulse signal is routed into a equalizer with single frequency shifts adding overtones and resonances. The output is further enhanced by a filterbank and spring reverb. A granulated version of the output is fed into the feedback path of the reverb adding spectral ambiences.‹
crvx. movie IV (2021)
Shorelines (For Spoken Word & Modular System)
Dedicated to Lisa Kurcharski
Third improvisation in a serie of ten.
›A merely concert-related setup for the modular system. I improvise a listener piece which is fed into the filter and delay section of the modular. The effects are tweaked with one hand on the fly. The background is a slowed down whistling and sing song recorded on the granular unit and softened with the spring reverb.
This entire piece is dedicated to Lisa Kurcharski. Her music of half musique concrete, half spoken word is among the most beautiful I ever heard. She deserves way more recognition. Not only for her unique and intimate way of composing. Thank you for all dear Lisa!‹
crvx. movie III (2021)
Fungus Arch (For Tenori-On, Vocal Samples & Modular System)
Second improvisation in a serie of ten.
›The Tenori-On was used in ‚Bounce‘ mode, allowing notes and sequences to be played like jumping marbles. The Tenori is equipped with various chorale and solo voice vocal samples, some short in duration, others long (≈ 500 ms). The composition is routed to the modular system and treated live with equalizers and spatial delays. A second channel has the highpass audio routed to a filter bank/spring reverb allowing to add overtones to the mix.‹
crvx. movie II (2021)
Ivy (For Feedback, Modular System & Spring Reverb)
First improvisation in a serie of ten.
›This piece was composed with the help of a self oscillating patch. Play/replay into a spring reverb channel and careful tweaking with equalizer shaped the basic sound gradually. The harmonic iterations were created with a granular sampler triggered by the high pass filter of the feedback sound.‹